Showing posts with label challenged. Show all posts
Showing posts with label challenged. Show all posts

Saturday, April 30, 2022

1083 - 1087 (2022 #8 - 12). April 2022

This Book is Gay by Juno Dawson

This is another book I read because it was banned from school library shelves in my racist, radical right-wing rural Republican town, for "sexually explicit content and illustrations."  It was not available in my local library, either, but I was able to borrow the e-book from another library.

This book is an introductory guide to LGBT life and issues for high school age and up.  I'm no expert on these topics, and this senior adult learned some things from this book.  Author Juno Dawson, who also writes fiction, originally identified as a gay man (James Dawson), but a year after the publication of this book in 2014, came out as a transgender woman.  This updated second edition was published under her new name.

As for "sexually explicit illustrations"?  They are black-and-white line drawings in a cartoon style by Spike Gerrell, funny and appropriate for the intended audience.

Books like this are needed in our school and public libraries, especially for questioning young people who may lack the loving support to learn about these issues elsewhere.


Sugar and Salt by Susan Wiggs

Sugar and Salt is mostly the story of Margot Salton (aka Margie Salinas), a barbeque master from Texas who is finding success with her own restaurant - called Salt - in San Francisco, until her past comes back to haunt her.  It's also the story of Jerome Sugar, who operates the bakery Sugar next door to Salt, and sharing a kitchen, and Jerome's mother Ida, who came of age during the Vietnam War era.

Besides being not just one love story, but two, this book also pulls in so many relevant issues, especially pertaining to the harrowing Texas judicial and penal system (and before you ask - I grew up and live in Texas, although I was born in Chicago and I've also lived in Washington state).  

I haven't read any of Susan Wiggs' books before, but now I am a fan.  She doesn't hesitate to cover such topics as war protests, avoiding the draft, interracial romance and marriage, and adoption by nontraditional couples, as well as rape and abortion.
All of these topics, coupled with the recipes at the end of the book, would make this a great choice for book clubs.

My only gripes with the book are two minor ones.  First, the blurb on the back of the advance reader edition (courtesy LibraryThing Early Reviewers), states that Jerome's last name is Barnes (not Sugar), and Ida is his grandmother (not mother).  Either the blurb needs to be corrected, or the text does.  Secondly, I don't like the cover.  It's very pretty, but really doesn't reflect the content of the book, and between it and the current blurb, seems to imply this is a light, beach-read romance, when it (thankfully) is not.


Hawai'i Calls by Marjorie Nelson Matthews

In 1935, Sadira "Sadie" Schaeffer Doyle is the social columnist for little Carlisle, New York's newspaper.  When her alcoholic husband loses yet another job, this time with the local mortuary his parents helped him establish, his partner finds him another job in Hawai'i - a place Sadira has longed to see thanks to the radio show "Hawaii Calls" - and they and their two sons move there for a fresh start.

Sadira writes about their early-1936 voyage (by ship from New York City) to Hawai'i for her upstate hometown paper.  Not long after her arrival in Hawaii, she secures a similar position with the Honolulu paper.  She hobnobs with celebrities and politicians, but her life isn't ideal.

The story is told in the alternating voices of Sadira and her oldest son, Lionel, who provides a different (and sometimes conflicting) view of life in Hawai'i for the family.

Author Marjorie Nelson Matthews based Sadira on her grandmother Zaida, who was a social/gossip columnist for a newspaper in Sodus, New York, as well as The Honolulu Star-Bulletin.   In a blog post a year ago, she said that in a scrapbook of her grandmother's columns, "I recognized the wealth of descriptive information in them, especially about Hawai‘i during its 1930s heyday as playground to the rich and famous."

In this aspect, the novel really shines.  The descriptions of people, places, parties, and events, both on the voyage and in Hawai'i, are vivid.  I found the long voyage, with stops in Havana and Los Angeles, especially intriguing.  Matthews also points out the difficulties the Japanese-Americans in Hawai'i had after the bombing of Pearl Harbor.

I had more trouble with the characters of Sadira and Lionel.  The boy clearly has some unexplained eccentricities (he seems somewhat OCD), but the lack of empathy from his mother at times is rather appalling.  Matthews stated that she also drew from her father's memories, but I believe he is reflected in the younger son, Kenny, who is also artistic. (Matthews' father, Dick Nelson, provided the cover artwork.) 

I understand that children like Lionel can be trying, but Sadira comes across as especially selfish and self-centered.  Perhaps that is the author's intent, to show that her grandmother and her grandmother's life were not perfect, despite living in a seeming paradise.  I did admire Sadira for her ability to remake herself as needed in order to survive.  When World War II ends celebrity visits to the island and dries up material for her column, she finds another way to earn a living.

I'd still recommend this novel for its historical aspects and descriptions of life in Hawaii from 1936 through 1946.  It was a good complement to Michener's Hawaii, which I finished the previous month.


Ribbons of Scarlet - by Kate Quinn, Laura Kamoie, Heather Webb, Stephanie Dray, Sophie Perinot, and E. Knight

Six female historical fiction authors - Kate Quinn, Laura Kamoie, Heather Webb, Stephanie Dray, Sophie Perinot, and E. (Eliza) Knight - collaborated on this novel of the French Revolution, with a forward by Allison Pataki (who was unavailable to collaborate). The book focuses on seven lesser-known women:  Manon Roland, Princess Élisabeth (sister of King Louis XVI), Louise Audu, Charlotte Corday, Sophie de Grouchy Condorcet, Pauline Leon, and Emilie de Sainte-Amaranthe.

The women represent various classes (royalty, aristocrats, commoners, peasants), so there are multiple views of the revolution.  Each part (chapter) of the book was written by a different author, and is mainly in the voice of one of the characters (Pauline and Charlotte share one chapter).  Characters appear in other chapters, however, which helps the book flow smoothly.  The reader can follow the evolution of the revolution, through to and beyond its end.

Bonus materials for the book are available, and there's a great interview with the authors here.  The Library of Congress has a great research guide about women of the French Revolution.  Many of these authors have worked together and with other authors on similar collaborative historical novels in the "History 360 Presents" or "H-Team" series (of which this is the fifth), on topics like Pompeii, Troy, Odysseus, and Boudicca .  I'm eager to read them all.


Mrs. Lincoln's Sisters by Jennifer Chiaverini - historical fiction

I won this book from Library Thing's Early Reviewer program back in April 2020, but never received a copy from the publisher (William Morrow).  It still appeared on my Not Reviewed list (I've been an Early Reviewer since November 2007), so I checked my libraries and borrowed the e-book from one of my libraries.

Mrs. Lincoln's Sisters is another of Jennifer Chiaverini's books about Mary Todd Lincoln and people associated with her (Mrs. Lincoln's Dressmaker, Mrs. Lincoln's Rival).  Mary Todd Lincoln had sixteen siblings in all (twelve of whom survived to adulthood), but this book focuses on her three full sisters (elders Elizabeth Todd Edwards and Frances Todd Wallace, and younger Ann Todd Smith) as well as one of her five younger half-sisters (Emilie Todd Helm).  

The book starts in 1875, when Elizabeth learns that Mary's oldest and only surviving son, Robert Todd Lincoln, has had her committed to a(n expensive) mental hospital.  Mary convinces people visiting her to reach out to her sisters (from whom she's been estranged) to "rescue" her.   

The book then alternates between the four sisters' viewpoints, as well as various times in the past and present, to depict Mary's childhood in Kentucky; her years with married sister Elizabeth in Springfield, Illinois, searching for a husband; her marriage to Lincoln and his rise to the presidency; and the years in the White House during the Civil War and the aftermath of his assassination.

The Civil War sharply divided Mary's Kentucky-based family. Elizabeth, Frances, Ann, and their husbands, long based in Springfield, supported the Union.  Their three half-brothers fought for the Confederacy, as did Emilie's husband (he was a general killed in the 1863 Battle of Chickamauga).  One full brother died in 1864 in Kentucky under mysterious circumstances; the other was a surgeon who served in a Confederate hospital in South Carolina.  Her other four half-sisters were married to men who either fought for the Confederacy or sympathized with it.

Through her sisters, the reader learns how Mary - generally through her own actions - has become estranged.  The sisters have different opinions about Mary's mental state, with Emilie perhaps the most sympathetic, having also lost her husband due to the war, and being a favorite of Lincoln - he called her "Little Sister."  Elizabeth continues the motherly role she had as a child, being the oldest, taking Mary in when she manages to convince the hospital to release her.  Frances and Ann wonder if Mary is acting out for the attention she's always craved.

Although Chiaverini provides some of her sources in her author's note, she doesn't clarify where she has deviated from fact to create her fiction, as so many other authors of historical fiction do.  This book can stand alone from the other Mrs. Lincoln's books, but it would be helpful to read Mrs. Lincoln's Dressmaker before this book.  There are references in Mrs. Lincoln's Sisters to said dressmaker, Elizabeth Keckley, as well as more examples of Mary Todd Lincoln's erratic behavior during and after her White House years.


© Amanda Pape - 2022

Wednesday, October 31, 2018

854-858 (2018 #67-71). The Rest of October 2018

Hello, Universe by Erin Entrada Kelly, read by Ramon de Ocampo and Amielynn Abellera - audiobook, realistic fiction, 2018 Newbery Medalist.  Seriously?  The book was OK, but not great.  Rather tedious, and with some annoying characteristics like unsympathetic mothers (what is up with that?  Girl in Reverse had one too), including one who sneaks cigarettes, and kids using matches and candles out into the woods.  Abellera read the part of deaf character Valencia, the only one who told the story in first person; de Ocampo did the rest of the narration.

The Hate U Give by Angie Thomas, read by Bahni Turpin - I can see why the book and the audio version won so many awards in 2018:  Michael L. Printz Honor award for young adult (age 12-18) literature, Coretta Scott King Author Honor award for "outstanding books for young adults and children by African American authors and illustrators that reflect the African American experience," Odyssey Award for Excellence in Audiobook Production, and Audie Awards for Young Adult and for Best Female Narrator. Outstanding realistic fiction that will likely be a very good movie too.

American Spring: Lexington, Concord, and the Road to Revolution by Walter R. Borneman - nonfiction, advance reader edition.  Very readable account of the early period of the American Revolution, from Paul Revere's little-known ride of December 1774, through the conflicts at Lexington and Concord in April 1775, to the Battle of Bunker Hill in June 1775.

Lisette's List by Susan Vreeland - audiobook, historical fiction.  Lisette and her husband Andre leave Paris in 1937 and go to the (real) village of Roussillon in Provence to care for his aging grandfather, Pascal.  Lisette is at first frustrated, because she hoped to work as an art museum curator in Paris, but she learns that Pascal met the artists Cezanne and Pissarro (through his work in the ochre mines, as a pigment salesman, and as a frame maker), and has some of their paintings, as well as a possible Picasso.  When Andre enlists to fight in World War II, he hides the paintings.  Much of the book is about what Lisette does to get through the war, and her quest to find the paintings afterward.  She meets Mark and Bella Chagall, and is gifted with one of his paintings as well.  The story moves slowly, but Vreeland does a wonderful job describing the Provençal countryside and way of life.  The audiobook is read by Kim Bubbs, who does a wonderful job with all the French words in the book.  The afterword identifies which paintings are real and which are not.

Carnegie's Maid by Marie Benedict - audiobook, historical fiction.  Speculative historical fiction on why the 19th century multimillionaire Andrew Carnegie may have become a philanthropist.  Author's Irish ancestors worked as domestics and used the Carnegie Library in Pittsburgh.  Similar mistaken identity story supposedly happened to one of her ancestors.  In research, used newspaper ads of immigrants searching for lost family who came before them, and was able to access materials and see areas where domestics lived and worked in the Frick Pittsburgh, "a perfectly preserved late nineteenth-century house museum of Andrew Carnegie's colleague Henry Clay Frick." (p. 280) Book ranges from November 4, 1863 - the completely fictional Clara Kelley's arrival at the port in Philadelphia - to the prologue of December 23, 1868, when "at the age of thirty-three, he wrote a letter to himself pledging to focus on the education and 'improvement of the poorer classes'" (p. 273), which supposedly his love and interactions with Clara inspired, according to the story.  The epilogue takes place October 14, 1900, when Clara, who has become a nurse, takes a young relative to the Carnegie Library in Pittsburgh.

© Amanda Pape - 2018

Friday, September 30, 2016

683 (2016 #38). This One Summer

by Jillian and Mariko Tamaki

I wanted to read this book both because it was an award-winner (see below), and because it appeared on the 2016 ACLU of Texas Banned Books Report.  It was challenged in an elementary school for being "inappropriate for grade levels."  Its use was restricted by transferring it to the high schools in the district (I'm assuming there was more than one copy of the book, because I know the district in question has two high schools).

In this case, I think that was a good decision.  This is an excellent book, but it is not really appropriate for most younger children (at least not in a school situation where a parent can't be involved in the decision).  Even author Mariko Tamaki told School Library Journal (after a similar challenge in Florida) that the book was “listed as being for readers ranging 12–18.  It contains depictions of young people talking about, and dealing with, adult things.”  It was also challenged in a K-12 school library in Minnesota.

This book won both a 2015 Printz Honor award (as it "exemplifies literary excellence in young adult literature") and Caldecott Honor award (a runner-up to the "illustrator of the year's most distinguished American picture book for children").  It also won the 2015 Eisner Award ("for creative achievement in American comic books") and the 2014 Ignatz Award for Outstanding Graphic Novel.

It's understandable that the book wound up in elementary school libraries.  Many such libraries routinely purchase Caldecott Medal and Honor books, which are typically picture books aimed at elementary school ages.  However, the definition in the Caldecott Medal manual of the Association for Library Service to Children of the American Library Association is:

A “picture book for children” is one for which children are an intended potential audience. The book displays respect for children’s understandings, abilities, and appreciations. Children are defined as persons of ages up to and including fourteen and picture books for this entire age range are to be considered.

This graphic novel does address some more mature themes, such as teen pregnancy, drinking, sex, and miscarriage, and has some "cuss" words.  It's hard to tell how old Rose, the main character is - maybe about 12?  Definitely no older than 14.  She and her parents have been visiting their beach cabin community every summer since she was little, and Rose always gets together there with Windy, a girl who is a year-and-a-half younger.  Windy looks (and acts) age 12 at most.  This particular summer, though, Rose's parents are fighting, and there is drama among the youth in the nearby year-round community.

All of the illustrations (by the author's cousin Jilliam Tamaki) are rendered in black-and-white.  The reading level (according to the Accelerated Reader program) is 2.4, making the book appropriate for struggling middle and high school readers.

© Amanda Pape - 2016

[This book was borrowed from and returned to my university library.]

Monday, September 21, 2015

513 (2015 #70). The Midwife's Apprentice


by Karen Cushman

The Midwife's Apprentice won the Newbery Medal in 1996 as "the most distinguished contribution to American literature for children." Only 122 pages, it packs in a lot of historical detail, an engaging heroine, and a story of perseverance.

Brat is an orphan girl found on a dung heap by Jane, a medieval village midwife in England, who takes her on as a helper and calls her Beetle.

Beetle has lots of experiences that illustrate typical life in the 1300s, as well as increasing her self-confidence and her determination of what her "place in this world" should be.  Eventually she names herself Alyce, and even learns to read.

Despite its short length, the reading level (6.0) and some of the subject matter (women and animals giving birth) make this book more appropriate for middle school and up.  A number of other Newbery Medalists are set in this era and could be used in a history unit on the Middle Ages.

The copy of the book I got at the Hood County Library had the cover pictured above.  This would be the Alyce cover.  The one just below, from my university library, would be the Beetle cover.



© Amanda Pape - 2015

Friday, September 11, 2015

Hood County Library 2015 Summer Reading Challenge Book #22 - Banned or Challenged Book


The Midwife's Apprentice, by Karen Cushman

The ACLU in Texas does a report on books banned and challenged in Texas schools every year, using information requested funder the authority of the Texas Public Information Act, Texas Government Code Ch.552 (commonly known as the Open Records Act). I've always thought it interesting that a number of these books are Newbery Medalists, an award given for "the most distinguished contribution to American literature for children."

The Midwife's Apprentice was challenged in the 2007-08 school year at Coldspring Intermediate School in the Coldspring-Oakhurst Consolidated Independent School District for sexual content and mysticism or paganism, apparently because of  a "reference to 'a roll in the hay' as well as unspecified pagan ideas (or at least ideas in conflict with Christianity)."  At the time the report was published, action (whether or not to ban or restrict the book) was pending.

Review is here.

© Amanda Pape - 2015

Sunday, November 25, 2007

1052. The Absolutely True Diary of a Part-Time Indian

This book recently (November 14) was named the 2007 National Book Award for Young People’s Literature. I read a prepub copy I picked up back at the Texas Library Association meeting in April, so I’m not sure if the final book was the same. It was just published in September.

The book is an autobiographical novel, told in first person, with the 14-year-old main character, Arnold Spirit, leaving his Spokane (WA) Indian reservation school to attend a wealthy, all-white school. Arnold deals with many typical modern Native American problems: the alcoholism of his father, the death of his grandmother and sister, poverty, and despair. 

Like the 2007 Newbery winner The Higher Power of Lucky, this book will generate some controversy, with its references to the “chronic tribe of masturbators” (page 217) and “boners” (pages 96, 97, 190, and “a metaphorical boner” on page 98). The book is recommended for ages 14 and up, and I think boys in particular will enjoy it.  

Alexie, born in 1966, attended Gonzaga and Washington State, and now lives in Seattle. It’s the second year in a row that a Seattleite has won a National Book Award. Last year, journalist Tim Egan won the non-fiction award for The Worst Hard Time, which my out-of-town book club read early this year.

[ETA:  Since its publication, the book routinely appears on lists of challenged or banned books.]



© Amanda Pape - 2007